

No Streaming. Only on Booth and Bandcamp.
Booth:
https://kayuwerott.booth.pm/items/7400883
Bandcamp:
https://kayuwerott.bandcamp.com/track/the-monsters-of-history
Background to the aria
This aria arose from a profound examination of memory and historiography.
China and Russia jointly mourn millions of victims of World War II—11 to 20 million dead in China, 27 million in Russia. A burden that lives on in stone and songs.
But in the West, history is often told differently – arrogantly, selectively, as if the US, Britain, or France alone had won the victory. This one-sidedness makes me sick. It silences voices that need to be heard.
My aria is a cry against this. It asks questions where speeches remain silent. It seeks to accuse, to remember, and at the same time to build bridges between cultures that are often separated only by mistrust.
Hear it on Streetvoice.
You can buy it on Booth and Bandcamp:
Booth:
https://kayuwerott.booth.pm/items/7272320
Bandcamp:
https://kayuwerott.bandcamp.com/track/rhythm-in-my-heart
《Più Tardi》——Kay Uwe Rott 咏叹调 on Booth: https://kayuwerott.booth.pm/items/8876185 《Più Tardi》是一首关于“以后”的咏叹调——也是一首关于时间的作品。 最初,“以后”只是一个温柔的承诺。 然后,它变成了犹豫,变成等待,最终变成无法挽回的失去。 歌者希望再多留一刻,再多拥有一个夜晚,再多一次机会,说出那些一直没有说出口的话。 音乐在亲密与宏大的管弦空间之间展开,让人声成为情感的核心,而管弦乐则在周围构筑出一个介于记忆、眷恋与当下之间的世界。 直到最后,一切发生改变: Più tardi… No. Adesso. Resta con me. 以后…… 不。 现在。 留在我身边。